MTV Buzzworthy Blog: Pop Star Brides
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Spears received nominations for Best Choreography and Best Pop Video.
By Christina Garibaldi
Britney Spears
Photo: MTV News
Britney Spears is no stranger to the Video Music Awards. She has so far been nominated 28 times, won four awards and has given us some of the most iconic VMA performances of all time. Who could forget her VMA strip-down in 2000 for "Oops! ... I Did It Again," her dance with a snake for "I'm a Slave 4 U" and, of course, her infamous "Like a Virgin" kiss with Madonna?
This year, Spears looks to add to her list of VMA accomplishments with two nominations, one for Best Pop Video and one for Best Choreography for her hit Ke$ha-penned song "Till the World Ends." MTV News recently caught up with Spears and broke the news of the nominations to the pop star.
"Oh my goodness, I'm completely flattered," Spears said. "That is amazing! Thank you so much for telling me. That's awesome!"
Spears will tackle some pretty stiff competition in both categories including seven-time nominee Adele ("Rolling in the Deep") and four-time nominee Bruno Mars ("Grenade"). But Spears isn't concentrating on her competition, she's just happy to be recognized.
"I grew up listening to MTV. It's just such an iconic thing to be able to participate in," Spears said about the VMAs. "To even be presented an award is just so flattering and I'm honored. I'm excited."
Spears should be excited after such a big year. She released her seventh studio album, Femme Fatale, which reached #1 on the Billboard chart, she's currently on the road for her summer tour, and now she has two more nominations to add to her already lengthy list of awards. So does Spears ever get used to all the VMA nominations?
"Oh no, you never get used to that!" she said.
You can vote for general VMA categories, including Best New Artist, by visiting VMA.MTV.com or m.mtv.com on your mobile phone. In addition, you can get in on Best New Artist text voting by texting BNA to 66333 on your wireless phone. Voting continues through the show, which airs live August 28 at 9 p.m. ET. (Verizon subscribers can vote on all categories via SMS by texting VMA to 66333; standard message rates apply.)
The 28th annual MTV Video Music Awards will air live on Sunday, August 28, from the Nokia Theatre in Los Angeles at 9 p.m. ET/PT. See the list of nominees, revisit last year's highlights and vote for your favorites in the general categories by visiting VMA.MTV.com.
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Judge pushes start of Conrad Murray's trial back to May.
By Gil Kaufman
Conrad Murray
Photo: AFP/ Getty Images
LOS ANGELES — Though Conrad Murray's lawyers had been pressing for a speedy trial, a judge in the involuntary manslaughter case against Michael Jackson's doctor ruled on Wednesday to delay opening statements in the proceedings until May.
The Associated Press reported that Murray's attorneys consented to the postponement after they discussed the matter with prosecutors and both agreed they could be ready for trial by May 9.
According to a transcript from the closed-door session, though opening statements will not begin for several months, Murray told Superior Court Judge Michael Pastor that he did not want to forfeit his right to a quick trial, but agreed to the delay if screening of prospective jurors begins as scheduled on March 24.
"It is only acceptable to me if this is not strung along over a long period of time," Murray told the justice. "I don't want to lose my constitutional right to speedy trial." Murray — who has pleaded not guilty to the charges — reportedly has been in favor of having the proceedings begin as soon as possible because he is facing financial troubles, but he said he understands that the delay is necessary to allow both sides to prepare for the trial.
Pastor consented because he said he didn't want to lose a jury pool, and believed a month-long delay might let potential jurors shuffle their schedules for the case, which could take up to two months to decide. The judge has reportedly clashed with Murray's defense team in recent weeks, pressing them for answers about why they had not turned over more witness notes and other potential evidence to prosecutors in the run-up to the trial.
Cardiologist Murray was hired to be Jackson's personal physician while the King of Pop prepared for his planned 50-date comeback series of shows at London's O2 arena in the summer of 2009. The doctor told police that he provided the then-50-year-old Jackson with sedatives and the surgical anesthetic propofol in order to combat the singer's chronic insomnia. He said he did so on the morning of June 25, 2009, when Jackson died of what a coroner deemed acute propofol poisoning.
Murray's lawyers reportedly plan to argue that Jackson was already in weak health before he died, that it's unfair to blame propofol for his passing and that, if the anesthetic was to blame, the pop superstar may have given himself the fatal dose by drinking the drug in a panic.
A status hearing in the case has been set for this Wednesday.
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Western meets sci-fi flick is full of 'nifty scenes,' but 'unappealing' overall, critics say.
By Terri Schwartz
Harrison Ford and Daniel Craig in "Cowboys and Aliens"
Photo: Universal
With a concept as inspired as "Cowboys & Aliens" and an A-list cast that brings together James Bond and Indiana Jones themselves, it's hard to imagine what could possibly have gone wrong between bringing the movie from the production room to the big screen. MTV's Splash Page blog found a lot to love about the movie despite its flaws, but other critics have not been so kind.
Maybe it was the fact that director Jon Favreau took the summer blockbuster too seriously. Fans hoping for a tongue-in-cheek mash-up of a Western and an alien movie are in for a straight-laced action flick without a lot of room for humor, like in Favreau's "Iron Man" films. Even the movie's charismatic leads couldn't rescue "Cowboys & Aliens" from its identity crisis, critics are saying.
Still, there was plenty to love about the movie as well. "Cowboys & Aliens" is certainly a fun ride to take this summer, so before you head to the multiplex this weekend, take a gander at the "Cowboys & Aliens" reviews we lassoed up for you.
The Story "The whole aliens-on-the-frontier incongruity never comes to much, really. There are nifty scenes, like the horseback riders battling silvery skeletal airplanes, but what 'Cowboys & Aliens' lacks is a good story. Basically, the characters — [Daniel] Craig's enigmatic outlaw, [Harrison] Ford's scowling boss, a tribe of Apache — must put aside their differences to form a posse and defeat the invaders. Who do we care about onscreen? For all of Craig's edgy charisma, no one. 'Cowboys & Aliens' has fun moments, but it's a plodding entertainment because it mostly tastes like leftovers." — Owen Gleiberman, Entertainment Weekly
The Leading Men "In Daniel Craig, the movie has what feels awfully like the second coming of Steve McQueen. Maybe it's the laser blue eyes under the broad forehead, or the laconic refusal to speak except when absolutely necessary, but Craig has a presence here that feels downright mythic. ... The chance to be as mean as he wants to be energizes [Ford], whose storied crankiness finally finds a home. It's a character part, and you can sense Ford's relief at letting another man shoulder the load. Consciously or not, there's a generational passing of the baton just under this movie's surface, and it helps immensely that Craig's up to the task." — Ty Burr, The Boston Globe
The Cowboys and the Aliens "In Hollywood's ancient prime, maybe a third of all movies were Westerns. But those days are as dead as the horse-mounted cavalry; in the past 30 years, the genre has been resuscitated only when some powerful director wanted to make a movie like the ones he grew up loving. So 'Cowboys & Aliens' has got to get to the aliens pretty damn quick. Even here, Favreau and his crew sprinkle a few memorable moments: the aliens' low-flying scout planes, looking like 10-winged titanium dragonflies and lassoing the townspeople for abduction; a desert vision of an upside-down steamship, which momentarily summons the ghost of Werner Herzog's 'Fitzcarraldo'; and the recurring image of Craig retrieving his cowboy hat, whether he's fighting off human varmints or escaping from the aliens' stronghold. A man ain't a man without his Stetson." — Richard Corliss, Time
The Concept "Cowboys versus aliens is a concept that may make you smile in anticipation, but wipe that smile off your face before buying your ticket, because the film takes its subject seriously — deadly seriously in the case of Harrison Ford, who plays a nasty rancher with the snarls and scowls that have become his trademarks, as if in penance for being so charming in the past. One interesting twist has a posse of cowboys teaming up with the Apaches they fear in order to vanquish the aliens, but the storytelling, punctuated by incoherent flashbacks, is often inscrutable." — Joe Morgenstern, The Wall Street Journal
The Final Word "A leaden mash-up of western and science-fiction elements that ends up noisy, grotesque and unappealing, this Jon Favreau-directed film features five producers (including Brian Grazer and Ron Howard), six executive producers (Steven Spielberg and Ryan Kavanaugh among them) and six credited writers, led by 'Star Trek' rebooters Alex Kurtzman and Roberto Orci and 'Lost's' Damon Lindelof. No wonder the film plays like a business deal more than a motion picture. Listed as a producer, not a writer, is Scott Mitchell Rosenberg, whose concept for the original graphic novel inspired the film. That's right, 'Cowboys' doesn't even retell the story the graphic novel does; it sets out on its own. This is not a satisfying journey." — Kenneth Turan, The Los Angeles Times
Check out everything we've got on "Cowboys & Aliens."
For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com.
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Chris Marrs Piliero explains why the cat in 'Faith (When I Let You Down)' comes across an Easter egg from 'I Wanna Go.
By Jocelyn Vena
Taking Back Sunday's video for "Faith (When I Let You Down)" is a social commentary about the fleeting nature of Internet fame, as illustrated by a fake cat trying to make it in Hollywood. It also happens to be the latest installment in the kooky videography of music video auteur Chris Marrs Piliero.
"It was an idea that I had floating around in my head, and when I listened to the song ... the meaning of the song clicked in my brain," the director said of the clip, which follows his cheeky video for Britney Spears' "I Wanna Go."
"People just love cat videos," he explained. "And I just thought it would be fun to see what it would like if a cat had the brain to be like, 'Sh--, I'm a big deal.' "
In the video, Taking Back Sunday post a clip of their cat online, and soon "OMG, WTF TBS Cat" goes viral. The cat eventually hops on a bus to L.A. (with a quick nod to Guns N' Roses "Welcome to the Jungle"), finds fame, disses the TBS guys, fails to make it as an actor, winds up in porn and eventually can't handle the pressure. Then, of course, TBS Cat heads back home.
Was that cat as difficult in real life as he was in the video?
"I was like halfway into the shoot, and he was throwing out demands," Piliero recalled, laughing. "It got to the point where no one was allowed to make eye contact with him on set. I had to sit him down and have a heart to heart with him."
Along with the GNR homage and a few other pop-culture references, the video includes a cute Easter egg for Britney fans: One of TBS cat's discarded audition scripts is for the fantasy Spears sequel, "Crossroads 2: Cross Harder," which is also on the marquee in "I Wanna Go."
"I made the TBS video right after the Britney video," he said. "I felt like the cat could exist in the same world as the 'I Wanna Go' world, so I thought it would be a fun little Easter egg. Also, [frontman] Adam [Lazzara] from TBS texted me after watching the Britney video, and I didn't even realize that during the paparazzi fight when she swings the mic around — that is something that Adam does all the time, which is something I was very conscious of — but I didn't realize the scene happened in front of a store called Keaton's, and his son is called Keaton!"
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Big Sean, Selena Gomez and Scotty McCreery also debut in top 10.
By Gil Kaufman
Beyoncé
Photo: Ian Gavan/Getty Images
There wasn't much question about whether Beyoncé's fourth solo effort, 4, would debut at the top of the Billboard 200 chart this week — it was just a matter of what the final tally would be.
Beyoncé does indeed top the chart with sales of 310,000, according to figures provided by Nielsen SoundScan. But that's about 172,000 less than the first-week tally for her last effort, 2006's double-disc smash, I Am ... Sasha Fierce, and marks the softest opening sales for the singer's solo albums to date (edging out her 2003 solo debut, Dangerously in Love, which moved 317,000).
Bey leads a parade of new faces in the top 10, including the debut from Kanye West protégé Big Sean, Finally Famous: The Album, which lands at #3 (87,000). Also new to the top 10: the latest from Selena Gomez & the Scene, When the Sun Goes Down (#4, 78,000); the second effort from former "American Idol" winner David Cook, This Loud Morning (#7, 46,000); and the debut EP from this year's "Idol" winner, Scotty McCreery, which hits #10 on sales of 40,000.
As for the rest of the top 10, Adele's 21 continues to defy expectations and recent music-industry logic by scooting up one spot to #2 on sales of 92,000 as her year-to-date figures pass the 2.5 million mark. After debuting at #1 last week, Jill Scott falls to #5 with The Light of the Sun, which was down 60 percent on sales of 55,000. Country singer Jason Aldean's My Kinda Party moves up four spots to #6 (48,000), "America's Got Talent" mini-opera diva Jackie Evancho falls four to #8 with Dream With Me (44,000) and the Eminem and Royce da 5'9" collabo, Hell: The Sequel, slips three spots to #9 (42,000).
While sensitive folkie Bon Iver takes a major 63 percent tumble to #11 (39,000) with his self-titled second album after a #2 debut last week, it is the steady decline of Lady Gaga's Born This Way that continues to make headlines. Even as U.K. breakout star Adele has managed to hover around the top five for most of the year and rack up the biggest figures to date for a 2011 release on the back of just one single ("Rolling in the Deep"), despite a string of singles and high-profile videos, Gaga's album has steadily faded after just six weeks.
This week marks its first outside the top 10, as Born This Way falls another four spots to #12, with sales dipping another 22 percent to 38,000 as total sales passed the 1.5 million mark.
Elsewhere on the charts, the all-star Buddy Holly tribute album, Rave on Buddy Holly, comes in at #15 (28,000), just ahead of the comeback attempt from 1990s nu-metal icons Limp Bizkit, Gold Cobra (#16, 27,000), and the self-titled album from a reunited Taking Back Sunday (#17, 27,000).
Country star Blake Shelton clearly benefited from his turn on the NBC hit reality singing program "The Voice," as his Loaded: The Best of Blake Shelton rises 42 spots to #18 as sales ballooned by 182 percent to 25,000. Meanwhile, Maroon 5's latest, Hands All Over, also saw a bump thanks to singer Adam Levine's gig on "Voice," jumping 47 spots to #26 as sales went up 139 percent to 18,000. Judge Christina Aguilera saw a more modest uptick, with her 2008 greatest-hits album, Keeps Gettin' Better, re-entering the charts at #46 on sales of 12,000.
Fans also welcomed back beloved dusty folk singer Gillian Welch, whose first album in eight years, The Harrow & the Harvest, hits #20 (23,000).
Also charting: rapper Curren$y with Weekend at Burnie's (#22, 23,000), "Idol" season 10 runner-up Lauren Alaina with her debut EP (#24, 20,000) and third-place finisher Haley Reinhart with hers (#37, 14,000).
Over on the iTunes charts, Beyoncé rules the albums list, followed by Sean, Adele, Gomez, Shelton's greatest hits, Bon Iver, the resurgent Maroon 5, Cook, Eminem and Royce and Mumford & Sons' Sigh No More. In an indication of why her sales might be less than impressive, Bey doesn't have a single song on the iTunes singles chart, which is led by LMFAO's "Party Rock," which beats out Katy Perry's "Last Friday Night (T.G.I.F.)," Pitbull's "Give Me Everything," Nicki Minaj's "Super Bass" and "Voice" winner Javier Colon's "Stitch by Stitch."
Adele holds on to the #6 slot with "Rolling in the Deep," with "Voice" runner-up Dia Frampton just behind with "Inventing Shadows." She is followed by Hot Chelle Rae's "Tonight Tonight," Lil Wayne's "How to Love" and Lady Gaga's "The Edge of Glory."
With no major releases hitting stores this week, look for Beyoncé and Adele to duke it out for the top slot in the next cycle.
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Judge rules that camera will be allowed in the courtroom for manslaughter case.
By Gil Kaufman
Conrad Murray
Photo: AFP/ Getty Images
For what promises to be one of the most bizarre and riveting legal proceedings in years, a Los Angeles judge ruled on Monday that a television camera will be allowed in the courtroom when Michael Jackson's doctor goes on trial for involuntary manslaughter.
Reuters reported that Los Angeles Superior Court Judge Michael Pastor, approved the presence of a camera in the trial of Dr. Conrad Murray as long as it does not interfere with the proceedings in the closely watched case.
The judge asked for the "absolute least-intrusive placement" of a TV camera in the courtroom, but blocked cameras from documenting jury selection.
Pastor also announced that he would bump up the opening date of the trail by four days to March 24, at which point jury selection will begin. Murray, who faces up to four years in prison if convicted, has pleaded not guilty to the charges, and the trial is expected to last around six weeks.
Cardiologist Murray was hired to be Jackson's personal physician in the run-up to the King of Pop's planned 50-date comeback series of shows at London's O2 arena in the summer of 2009. The doctor told police that he provided Jackson, 50, with sedatives and the surgical anesthetic propofol in order to combat the singer's chronic insomnia. He said he did so on the morning of June 25, 2009, when Jackson died of what a coroner deemed acute propofol poisoning.
TMZ reported on Tuesday (February 8) that Murray's lawyers plan to argue that Jackson was already in weak health before he died and that it's unfair to blame propofol for his passing. Unnamed sources close to the case told the gossip site that at the time of his death, Jackson's body was already failing him in part because concert promoter AEG Live had "driven [him] over the edge" with a rigorous rehearsal schedule for the shows.
Murray's lawyers reportedly plan to call witnesses to say that Jackson was not showing up for rehearsals and when he did he showed "clear signs" of frail health. They also reportedly plan to argue that it was Jackson who administered the final, fatal dose of propofol to himself while Murray was out of the room.
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Director Jon Favreau tells MTV News there's much more to the movie than the 'silly' title may suggest.
By Kara Warner, with reporting by Josh Horowitz
Jon Favreau
Photo: Frazer Harrison/ Getty Images
When news broke that "Iron Man" director Jon Favreau had wrangled two of the biggest names in the action-movie business — Harrison Ford and Daniel Craig — to star in his intriguing genre mash-up "Cowboys & Aliens," that and a compelling premise proved to be enough to send scores of fanboys online seeking advanced tickets.
But though there's lots of early buzz from the marquee names associated with "Aliens" (mega-watt producers Steven Spielberg and Ron Howard are also onboard), Favreau recently admitted to MTV News that he felt pressure to deliver something extraordinary for fans.
"Of course, with Ron Howard and Steven Spielberg [producing], I'm in real good hands," Favreau said about overcoming the challenges of establishing just the right tone for the movie. "I learned a tremendous amount from them, and I think when you cast Harrison Ford and Daniel Craig — with 'Bond' and 'Indy,' those are two franchises that are fun but not silly," he added about Craig's 007 and Ford's "Indiana Jones" series. "And I think that if people take a clue from who I cast in the film as to how it's going to play, it's a good indicator," he explained.
Favreau went on to say that there's far more to the film than what the title suggests. "I think [moviegoers] hear the name 'Cowboys and Aliens,' it sounds kind of silly, but it also sounds compelling and interesting," he said. "So if they give it a chance, they'll see it's a fun movie, it's an exciting movie, and I think it's going to exceed their expectations."
Check out everything we've got on "Cowboys & Aliens."
For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com.
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Foursome is joined by special guests and tons of lights for smash-hit medley.
By Mawuse Ziegbe
Black Eyed Peas perform during the Super Bowl XLV halftime show
Photo: Getty Images
The Black Eyed Peas promised a party at the Super Bowl halftime show on Sunday (February 6), and the pop supernovas definitely delivered, with a performance teeming with lights, dancers and surprise appearances from celebrity pals.
Following a Chatter.com commercial that showed animated versions of the Peas showing off their social-media skills, the group kicked things off with their 2009 smash "I Gotta Feeling," descending from the ceiling on illuminated platforms onto a stage surrounded by a cluster of dancers clad in white bodysuits. The foursome led the team of fist-pumping troops in "Tron"-like getups, with Taboo sporting an outfit covered in flashing lights, will.i.am rocking a shiny hairpiece, Apl.de.ap wearing huge bright studs and Fergie vamping it up in bling-laden shoulder pads.
When the speaker-busting bass of "Boom Boom Pow" dropped, the dancers dispersed across the field to create arrow-shaped formations as the glow-in-the-dark lights on their suits illuminated the stadium. Then rumored surprise guest Slash of Guns N' Roses rose from below the stage for a "Sweet Child O' Mine" duet with Fergie. The GNR great rocked a finger-searing solo in a studded version of his signature black top hat as more angular platforms and dancers moved across the gridiron. The platforms were bearing scores of marching-band musicians who blasted their horns and pounded away on their drums as the Peas went into "Pump It" and blue lights splashed across the production.
Quick streams of fog heralded the arrival of the Peas' second surprise guest, Usher, who swooped in on a long chain to bust out his will.i.am-assisted joint "OMG." Rocking a sparkly collar on an otherwise all-white ensemble, the R&B hitmaker cranked out several counts of energetic choreography, enlivening moves from his "OMG" video and at one point jumping over Will and landing in a split.
A spray of pyro ushered in the collective's breakout 2003 hit "Where Is the Love?" as the oddly shaped platforms spelled out the word "Love" in bright-red letters. The team of dancers, which appeared to have multiplied to over 100, formed hearts across the field as will updated the lyrics of the smash with lines like, "Obama, let's get these educated."
Then the group jumped ahead to their most recent single, 2010's "The Time (Dirty Bit)," as several back up hoofers rocking cubed helmets joined the Peas onstage and dancers lined up along the gridiron to simultaneously bust out the Running Man, a move which drew cheers from the crowd.
The platinum-selling Peas wrapped up the performance with a reprise of "I Gotta Feeling," as the quartet triumphantly signed off amid of blitz of fog, firepower and flashing lights.
Ripping the halftime show was clearly a touching moment for will, who tweeted beforehand, "Me and apl started the peas when we were 16 yesterday we were dreamin now were livin it. Wow. I'm not crying out of sadness or nervousness its joy and pride and memories and the journey."
And once the crew left the stage, the frontman was not only proud, but pumped. "That was so freakin sick," he wrote. "Wow...!!!"
What did you think of the Black Eyed Peas' Super Bowl performance? Let us know in the comments!
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'Rehab' singer's body discovered in her London apartment, publicist confirms.
By James Montgomery
Amy Winehouse
Photo: Gregg Delman/MTV
Amy Winehouse was found dead in her London apartment Saturday (July 23), her publicist confirmed to CNN. The U.K. singer was 27 years old.
A press release from Metropolitan Police does not specify Winehouse by name, but reads: "Police were called by London Ambulance Service to an address in Camden Square NW1 shortly before 16.05 hours today, Saturday 23 July, following reports of a woman found deceased. On arrival officers found the body of a 27-year-old female who was pronounced dead at the scene. Inquiries continue into the circumstances of death. At this early stage it is being treated as unexplained."
Click for photos of Amy Winehouse's life and career.
Winehouse canceled her European tour last month, and has long struggled with substance abuse.
On June 18, Winehouse performed the first show of that European tour at Forest Fest in Belgrade, Serbia, but things went terribly wrong. The Brit songstress reportedly showed up more than an hour late and then once there, she repeatedly left the stage mid-performance. Winehouse forgot lyrics to her songs and even dropped the mic as a disgruntled crowd of 20,000 booed her set. After the show, she canceled festival appearances in Turkey and Greece.
Apart from her touring plans, Winehouse was also reportedly working on the follow-up to her award-winning Back to Black, but a concrete release date for the album was never established.
Earlier Saturday, Winehouse's management team released a statement confirming she was pulling out of all gigs to concentrate on her recovery: "Amy Winehouse is withdrawing from all scheduled performances. Everyone involved wishes to do everything they can to help her return to her best and she will be given as long as it takes for this to happen."
Read what Rihanna, Usher and more said about Winehouse on Twitter.
Amy Jade Winehouse, born September 14, 1983, exploded onto the U.K. scene in 2003 with her debut album, Frank, which was nominated for the Mercury Prize, the award given to the year's best British or Irish album. After a string of well-received festival gigs and an Ivor Novello songwriting award, she began work on the album that would make her an international star: Back to Black, released Stateside in 2007.
Teaming with producers Salaam Remi and Mark Ronson (and the New-York based Dap Kings ensemble), Winehouse crafted a sound that was heavily indebted to the girl groups of the 1950s and '60s and, when combined with her smoky vocals and towering beehive hairstyle, served as a welcome antidote to the electronic-based pop music of the day. Buoyed by the success of iconic single "Rehab" — and Winehouse's near-constant coverage in the tabloids — Back To Black became a worldwide phenomenon, topping the charts in the U.K. (where it would be the year's best-selling album) and earning Winehouse five Grammys, including Record and Song of the Year and Best New Artist.
Following the success of Back to Black, Winehouse toured the world, and began a star-crossed (and much-covered) relationship with a former video-production assistant named Blake Fielder-Civil. Around the same time, several media outlets began reporting extensively on the couple's drug use and, in 2008, Fielder-Civil served time in prison after an altercation with a bar owner. During this period, Winehouse also had several run-ins with the law, including a 2007 arrest for possession of marijuana in Bergen, Norway, a "common assault" charge in early 2008 and, most famously, a May 2008 arrest stemming from a video of her smoking what appeared to be crack cocaine. She avoided jail time in each instance but, at the urging of her father, the singer made several attempts to get clean, repeatedly checking herself into rehabilitation facilities. Her last stint in rehab reportedly took place in May of 2011.
During all of this, Winehouse had also begun working on the follow-up to Back to Black, heading to the island of St. Lucia with Remi to record tracks. In July 2010, Winehouse made a surprise appearance at a Ronson show in London, flubbing the lines to the producer's song "Valerie." A few days later, she told the U.K.'s Metro newspaper that the new album was due in January and would follow in the footsteps of Black's retro leanings.
She recorded a version of Lesley Gore's "It's My Party" for legendary producer Quincy Jones' Q: Soul Bossa Nostra album, and was also tapped to sing with Tony Bennett on his upcoming Duets II album, which is due in September.
In the hours following her death, Winehouse's American record label, Universal Republic, said in a statement: "We are deeply saddened at the sudden loss of such a gifted musician, artist and performer. Our prayers go out to Amy's family, friends and fans at this difficult time."
Shocked? Saddened? React To Her Death With Us On Facebook
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Chris Marrs Piliero explains why the cat in 'Faith (When I Let You Down)' comes across an Easter egg from 'I Wanna Go.
By Jocelyn Vena
Taking Back Sunday's video for "Faith (When I Let You Down)" is a social commentary about the fleeting nature of Internet fame, as illustrated by a fake cat trying to make it in Hollywood. It also happens to be the latest installment in the kooky videography of music video auteur Chris Marrs Piliero.
"It was an idea that I had floating around in my head, and when I listened to the song ... the meaning of the song clicked in my brain," the director said of the clip, which follows his cheeky video for Britney Spears' "I Wanna Go."
"People just love cat videos," he explained. "And I just thought it would be fun to see what it would like if a cat had the brain to be like, 'Sh--, I'm a big deal.' "
In the video, Taking Back Sunday post a clip of their cat online, and soon "OMG, WTF TBS Cat" goes viral. The cat eventually hops on a bus to L.A. (with a quick nod to Guns N' Roses "Welcome to the Jungle"), finds fame, disses the TBS guys, fails to make it as an actor, winds up in porn and eventually can't handle the pressure. Then, of course, TBS Cat heads back home.
Was that cat as difficult in real life as he was in the video?
"I was like halfway into the shoot, and he was throwing out demands," Piliero recalled, laughing. "It got to the point where no one was allowed to make eye contact with him on set. I had to sit him down and have a heart to heart with him."
Along with the GNR homage and a few other pop-culture references, the video includes a cute Easter egg for Britney fans: One of TBS cat's discarded audition scripts is for the fantasy Spears sequel, "Crossroads 2: Cross Harder," which is also on the marquee in "I Wanna Go."
"I made the TBS video right after the Britney video," he said. "I felt like the cat could exist in the same world as the 'I Wanna Go' world, so I thought it would be a fun little Easter egg. Also, [frontman] Adam [Lazzara] from TBS texted me after watching the Britney video, and I didn't even realize that during the paparazzi fight when she swings the mic around — that is something that Adam does all the time, which is something I was very conscious of — but I didn't realize the scene happened in front of a store called Keaton's, and his son is called Keaton!"
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